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La maison des milles et un plaisirs (1986)

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  • Orjinal İsim: La maison des milles et un plaisirs (1986)
  • Yapım yılı:
  • IMDB Puanı: /10
  • Yönetmen:
  • Filmin Türü: Genel
  • Filmin Dili:
  • Oyuncular:
  • Etiketler: ,

Alternate Titles

* 1000 geile Nächte (Germany)
* L’Alcova dei mille piaceri (Italy)
* Das Haus der 1000 Freuden (Germany)
* House of 1001 Pleasures
* La Maison des 1001 Plaisirs
* Marilyn – Das Haus der 1000 Freuden (Herzog DVD)

Actresses

* Olinka Hardiman plays Claudine
* Dominique Saint Claire plays Madame Blanche
* Marianne Aubert as Marion Sicard, plays Suzette
* Diane Suresne plays Julie
* Laura Clair plays a prositute, first scene
* XNK0318 black prostitute
* XNK0319 a prostitute, mousey blonde curly hair, possibly with the character name Francoise, resembles Chantal Trobert

Males

* Andre Kay plays Albert
* Gabriel Pontello plays Parzival
* Alban Ceray plays Maurice
* Gerard Gregory plays a customer, one of the twins
* Eric Vienne plays a customer, one of the twins
* Jacky Arnal plays Mario
* John Oury plays a customer
* Pjotr Stanislas plays a customer in final orgy

there’s also a guy with breasts and long hair in the final orgy scene, you cant miss him. 8)

This is Olinka’s best film, and among the best of all French adult movies. Some misfortune results in Olinka working in a fancy French brothel. When she falls in love with a customer, she plans her escape. That’s the plot, what there is of it, but what makes this a great hardcore film are the little touches. The tone is fun, but when the denizens of the brothel throw an all-out orgy it is perversion central. Most effective sequence is the daily exercise run. The entire staff of girls go jogging, with the incentive that last girl back gets buttfucked on the massage table (while all the other girls gather around to watch and jungle music plays on the soundtrack). The gorgeous blonde who always comes in last straggles on purpose. Olinka turns to the Madame and says “That’s not a very good punishment — I think she likes it.” The Madame responds “I know, but most of the girls don’t.” We would cite this silly sequence as quintessential light French adult film-making — a narrative set-up that provides some emotional setting for the sex, effective use of music, a theme of domination with real emotional/sexual impact, but without any sense of abuse or meanness (presented as play-acting that serves the desires of both participants), well-photographed attractive close-ups mixed with acting and dialogue that is about the sex.

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